#Synth ocean waves patch how to
#Synth ocean waves patch Patch
#Synth ocean waves patch full
#Synth ocean waves patch software

The patch employs LFO detuning, a closed filter, and the Juno's legendary onboard chorus effect. The synth in 'White Ferrari' is credited to Buddy Ross and was recorded on a Roland Juno-106. Set both attack and decay to around 1000ms, and set the sustain high enough that the sound doesn't completely fade out after the decay phase. How you set up the ADSR envelope will control the speed that the filter rises and falls. The resonance emphasizes the filter cutoff point and has a noticeably electronic sound, and the envelope amount controls how much the filter will move. Set up a two-sawtooth oscillator patch and lower the cutoff frequency to around 100Hz, then set the filter's resonance and envelope amount to around midway to start modulating the filter with the envelope. The 'Thinkin Bout You' synth utilizes envelope modulation of the filter to create a rising and falling resonant sweep. The Prophet-6 is a modern tribute to the classic Sequential Circuits Prophet-5, which Arturia modelled in its Prophet-V. Additionally, the synth on 'Thinkin Bout You' from Channel Orange strongly sounds like it came from a Prophet synth. The Dave Smith Instruments Prophet-6 makes several appearances on Blond, likely contributed by Buddy Ross.

#Synth ocean waves patch software

I'm going to explore the various electric piano, synthesizer, and other keyboard sounds on both albums, and show you how recreate them using software synths. And his often digitally manipulated vocals are accompanied with samples, synthesizers, live musicians, ambient dreamscapes, and a slick production style to tie it all together. His distinctive sound draws on a wide range of influences, collaborators, and sound sources. After releasing 2012вЂ™s Channel Orange to critical acclaim, Ocean was quiet for four years, until he put out Blond in 2016. You can find Ableton Live 10 project files and free soft synth preset patches at the bottom of the piece.ДЇrank Ocean-the multi-talented singer, songwriter, and rapper-eschews the R&B label his music is traditionally given and references genres as varied as electronica, psychedelic rock, and hip-hop.

#Synth ocean waves patch how to

Below, Dan Carr, aka Reverb Machine, details how to achieve these synth sounds using virtual instruments. For artists and producers who love working with odd and unique sounding synths, this Pack has a lot to offer.Editor's note: In our video above, William Kurk shows you how to play through some tunes from Frank Ocean's Channel Orange and Blond albums.

Like Flatpack's other creations (which includes the excellent Analogik Drums pack), Analogik Waves II balances the grit and unpredictable quirk of genuine analog gear with the immense customization available in the digital realm.

Some macros control basic functions, such as a Filter Cutoff and Resonance, while others control complex sequences of events that can result in drastic sonic transformations. In terms of controls, each synth patch gives users substantial sound shaping capabilities via eight pre-mapped macros. Ultimately, the aim of Analogik Waves II is to provide Instruments that can be either monophonic or polyphonic and stay in tune, yet can also still keep the idiosyncrasies that make analog hardware synths so appealing.

#Synth ocean waves patch full

From there, Flatpack have chromatically mapped out (using 2,815 individual oscillator samples) each sound so that they can be played across the full range of the keyboard, from C0 to C6. To provide extra sonic character, the samples were recorded using a variety of signal chains, ranging from simple and clean to heavily processed signal paths. Each Waves II patch begins with a sample that was recorded directly from one of the trio of analog oscillators.